Susanne Gottlieb is a cultural and film journalist from Vienna whose texts have been published in the daily newspapers Der Standard, Kleine Zeitung, Wiener Zeitung, NZZ am Sonntag, in the magazines TV Media, Filmbulletin, The Gap and Cineuropa.

She has also written guest articles for Kino Zeit, Talking Shorts, Ubiquarian, DMovies and Yes & No. She works in the cinema team at Metro Kino Kulturhaus and in the amateur film project at Filmarchiv Austria, has contributed to the catalogue for the Zurich Film Festival and Locarno Film Festival, and is currently also working as a copywriter and presenter at the Diagonale.nne Gottlieb is a cultural and film journalist from Vienna whose texts have been published in the daily newspapers Der Standard, Kleine Zeitung, Wiener Zeitung, NZZ am Sonntag, in the magazines TV Media, Filmbulletin, The Gap and Cineuropa. She has also written guest articles for Kino Zeit, Talking Shorts, Ubiquarian, DMovies and Yes & No. She works in the cinema team at Metro Kino Kulturhaus and in the amateur film project at Filmarchiv Austria, has contributed to the catalogue for the Zurich Film Festival and Locarno Film Festival, and is currently also working as a copywriter and presenter at the Diagonale.

The fascination with the image began at the age of 16 while working with photographer Luis Cruz, the moving image emerged at the age of 18 when he made still photography for a cinema film for the first time, and from then on the decision to make films became clear and the choice easy. He completed his degree in Cinema in Lisbon and in between he had the opportunity to work in the area in different departments of several teams, gaining experience and above all understanding the challenges inherent to each film project from different perspectives.

He thinks in images and the sequence of movements, colors, framing, scales comes naturally to him in an act almost as involuntary as breathing. Had the opportunity to direct for the first time at the age of 22, in a short film outside the curriculum entitled “Politics”.

The need to improve himself, to understand how to put into practice what comes naturally to him made him once again decide to accept the opportunity, for which he applied years before, to do a postgraduate degree in Barcelona at ESCAC, instead of continuing on the path already begun in cinema in Portugal, thus learning new languages, new aesthetics, new objectives and giving him a greater understanding of the entire production process, accumulating experiences in advertising, cinema, documentaries and music videos.
Thaiddhi is a Filmmaker, Producer, and also Film Programmer. He studies Filmmaking at FAMU in the Czech Republic for 3 years master's degree program in Cinema and Digital Media.

His first short film “Awake” won Best Short Film at FAMU Fest 2009. He co-founded Wathann Film Festival in 2011 and worked as a Programmer for the festival.

In 2013 he founded Third Floor Film Production to produce Myanmar Independent short films and documentary films. He produced a short film Cobalt Blue (2019) by Aung Phyoe which was selected for the Pardi di Domani International Competition at 72nd Locarno Film Festival. He worked as a Cinematographer in the recent film Money Has Four Legs (2020) by Maung Sun, which was premiered at New Currents (Busan International Film Festival 2020).