Festival internacional Signos da Noite - Lisboa |
International Festival Signs of the Night - Lisbon |
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9° Festival internacional Signos da Noite - Lisboa / Outubro 6-12, 2025
23th International Festival Signs of the Night - Portugal
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Anastasia Trofimova |
Canada, France / 2024 / 2:09:00 |
Anastasia Trofimova, a Russian-Canadian filmmaker, gains unprecedented access to follow a Russian Army battalion in Ukraine. Without any official clearance or permits, she earns the trust of foot soldiers and embeds herself over the span of a year with one battalion as it makes its way across Eastern Ukraine. What she discovers is far from the propaganda and labels pushed by the East or the West: an army in disarray, soldiers disillusioned and often struggling to understand what they are fighting for.
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JURY DECLARATION:
The Main Award is attributed to "Russians in War for the courage of an extreme cinematic act that bypasses every barrier and censorship. Anastasia Trofimova observes and recomposes reality with a gaze that stands beyond prejudice and propaganda, demonstrating to the viewer how cinema can truly, today, reach everywhere.
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SIGNS AWARD
The Signs Award for Documentary honours films, which express in an original, convincing and sensitive way
the perturbing aspects of reality
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Caroline D´Hondt |
Belgium / 2024 / 1:22:00 |
In Inuit land, away from the world, Iqaluit is nevertheless a cosmopolitan city, because many people come from the four corners of the world to work in this capital of the Canadian territory of Nunavut. A city where some 8,000 inhabitants live, a diverse microcosm in Arctic soil. Road to Nowhere invites you to travel the icy road that begins and ends in this place where many worlds coexist. A film which undertakes to cross doors literally and figuratively, to observe everyday events, the repetition of gestures and the habits of each person. Here, it is a question of capturing how life unfolds in the intimate and the ordinary, a sideways look that questions the presence of each person, the relationship to their roots and their future. A film that reveals itself as a canvas skilfully woven into a collective fresco on the edge of the world where the trivial, poetry and paradox intertwine.
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JURY DECLARATION:
The Signs Award is attributed to "Road to Nowhere" for its powerful portrayal of a world on the brink of irreversible change. The film confronts the collision between the triumphalist narratives of corporations, governments, and global franchises, and the enduring ways of life of Indigenous communities, exposing the deep tensions between imposed progress and ancestral harmony with nature.”
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NIGHT AWARD
The Night Award for Documentary honours films, which represent reality
in an ambivalent and enigmatic way, avoiding stereotypes of
representation and simple conclusions
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Daniel Köttner |
Germany / 2023 / 1:36:23 |
Landshaft sketches the psychogeography of a geopolitically charged landscape and its inhabitants between extractivism, war and displacement. In the form of a journey in eastern Armenia, the film follows human and non-human actors as they make their way through the landscape, from Lake Sevan to the Sotk gold mine, occupied by Azerbaijan since the Karabakh War in 2020.
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JURY DECLARATION:
The jury attributes die Night Award to "Landshaft" for its extraordinary ability to transport the viewer, with a few clear and concise strokes, into a suspended and expanded dimension. The film powerfully conveys a collective feeling of powerless, exhausting uncertainty. With outstanding cinematography and film language, it sculpts time and space in harmony with nature, while revealing the deep fracture between the organic rhythm of life and the destructive logic of human wars.
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EDWARD SNOWDEN AWARD
The Edward Snowden Award honors films, which offer sensitive (mostly) unknown information, facts and phenomenons of eminent importance, for which the festival wishes a wide proliferation in the future
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Bår Tyrmi |
Norway / 2024 / 01:34:00 |
Fascinating and thrilling reconstruction of the rise and fall of the crypto currency company OneCoin. It all started in 2016 with OneCoin’s promise that it would become the world’s biggest crypto currency. Millions of people invested money, at least partly due to the charisma of the scheme’s leaders Sebastian Greenwood and Ruja Ignatova. They used notorious pyramid scheme tactics, holding gala style meetings to whip up enthusiasm among their members to draw their own networks into buying digital currency. The protagonist of this story is Bjørn Bjercke. Soon after OneCoin approached him for his expertise he discovered all sorts of things were amiss. Bjercke decided to share this knowledge publicly, despite the life-threatening danger that would entail. The film raises questions about human nature: Why do some people look away, while others go to the barricades? And how come our craving for more is so powerful that we let ourselves be fooled? Victims talk about their motivations, and influence experts confront us with our vulnerabilities: the fear of failure and a need for belonging.
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JURY DECLARATION:
The Edward Snowden award this year goes to "Lie to Me" for its remarkable ability to give cinematic form to the almost inexpressible complexity of cryptocurrency technology—still the preserve of a few—while exposing how this “obscurity” fuels one of the largest ongoing scams of our time.
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MENTION FOR THE NIGHT AWARD
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Dziecko z Pylu |
Weronika Mliczewska |
Poland, Vietnam, Sweden, Republic Chech, Quatar / 2025 / 1:33:00 |
Sang is one of hundreds of thousands of unwanted and discriminated children left behind by the American soldiers after the Vietnam War. When his lifelong dream of finding his father comes true, Sang's only mission is to race against time to meet his ailing dad and break the cycle of war trauma that has plagued generations. After a long and challenging journey, Sang can finally go to the USA, but without his wife, daughter, and beloved grandson. Reuniting with his father is a healing experience for both, but far from easy. Even though 50 years have passed since the last American soldier left Vietnam, many wounds remain open.
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JURY DECLARATION:
A Mentionfor te Night Award is attrinuted to "Child of Dust" for the quiet power with which the film reveals a deeply personal tragedy and for its ability to convey the unspoken truths that linger beneath the surface.
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MENTION FOR THE EDWARD SNOWDEN AWARD
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Christian Frei |
Suisse / 2025 / 2:02:00 |
When the world is engulfed by the COVID-19 pandemic, three scientists who long predicted its arrival must battle not only the virus but also a wave of misinformation, conspiracy theories, and political blame that threatens to eclipse the truth. This is their story. Part investigation, part thriller, Blame investigates the relationship between science, politics and the media.
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JURY DECLARATION:
It makes no sense to shoot the messenger, but that's what's happening here: scientists tasked with finding viruses in nature are accused of inventing them, with deadly consequences. The incident is too similar to others, such as the Climategate scandal, for us to not recognize a pattern here, with political or economic motivations, but perhaps also in the human desire to not lose control over nature. Still, it's dangerous to confuse our desires with natural truths, as we can infer from cases like the damage done to the old Soviet life sciences school by the Lysenko affair or the excessive number of over a million COVID deaths in the United States. “BLAME” chooses not to speculate on this dangerous social phenomenon. Instead, it follows our main characters as they were ground down by the guilt machine, turning them from heroes to demons in a style that is almost painful to watch in the end: for addressing such an important topic and bearing witness to the ongoing "tragedy" of such central persons, it deserves mention fir the EDward Snowden Award.
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