74-year-old dancer Sonja Vukicevic moves through socialist-modernist spaces, her body echoing Yugoslavia’s last mass performance. Intertwined with a teenage girl’s diary from 1988, the film traces the shift from socialist collectivism to rising nationalism.

Artificial moons are going to be launched into space to eliminate the difference between day and night. An elderly couple retreats into their apartment, isolated from nature and the outside world. They follow their daily routines lit by neon lights and digital devices. A voice that seems to come from nowhere is their constant companion. “Breathe in,” it says, “breathe out. Time is just a feeling. Everything will be okay.”

Deep in an uncharted forest, an isolated ornithologist discovers a wild child captured in a grainy video, recorded by one of the infrared cameras he had hidden among the trees.